In a recent essay, Fear of Small Numbers
: An Essay on the Geography of Anger, academic and commentator on globalisation Arjun Appadurai comments on how the West is increasingly dominated by a fear of the lone bomber with explosives strapped to their chest. For us, a more rational fear would be the panic of spotting the lone designer with a portfolio, packed with high problem-solving principles strapped to their chest, and walking towards you in Hoxton Square (each city will have its own analogue of Hoxton – a breeding ground for the designer-as-problem-solver).
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When I visited Glasgow School of Art, designed by Charles Rennie Mackintosh at the close of the 19th Century, it made me very conscious of the power of design. The building was full of innovative devices, which once inside, brought comfort. For instance, the library ceiling was supported by four timber columns and you can hear the squeaks from people walking across the floor above, which gives you an illusion as if you are close to nature - in the middle of a wood maybe. The famous Mackintosh chairs with the long backrests were designed to create an enclosed and confidential space when placed - 4,6 or 8- around a table, creating an intimate atmosphere for people to concentrate on socializing or discussing the series social issues of the day. Traveling up and down the building, following a tour guide, listening to her talk, I felt as if the architect himself was looking at us – scrutinizing our behavior to ensure his intention to influence us through the devices he built – from chair to building – from school to church.
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